Bather.

Painting by Paul Cezanne.
Like Edouard Manet, from whom he borrowed so much, Cézanne was prompted to rethink the value of the various illusionistic techniques that he had inherited from the masters of the Renaissance and Baroque eras. This was due in part to the growing impact of photography and its transformation of modern representation. While Claude Monet borrowed from the camera the fragmenting of time, Cézanne, ever at odds with Monet, saw this mechanized segmenting of time as artificial and at odds with the preception of the human eye. By Cézanne's era, the camera did shatter time into tiny fragments as do modern cameras that can easily be set so that the shutter is open to light for only 1/1000 of a second (even faster, i heard...)